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The story begins in 1924 in New York City, where W. C. Fields is a Ziegfeld Follies headliner, and ends with his 1946 death in California at age 66. In between, it dramatizes his life and career with emphasis on the latter part of both, when the "Me" of the title, Carlotta Monti, played a prominent role, with a number of fictionalized events added for dramatic impact.
Gentleman with a waxed moustache ca. 1910 wearing a Homburg hat and pince nez. Moustache wax is a stiff pomade applied to a moustache as a grooming aid to hold the hairs in place, especially at the extremities. The required product strength (or stiffness) is based on whisker length and the desired style.
You Can't Cheat an Honest Man is a 1939 American comedy film directed by George Marshall and Edward F. Cline and starring W. C. Fields. Fields also wrote the story on which the film is based under the name Charles Bogle.
William Claude Dukenfield (January 29, 1880 [1] – December 25, 1946), better known as W. C. Fields, was an American actor, comedian, juggler and writer. [2]Fields's career in show business began in vaudeville, where he attained international success as a silent juggler.
Carlotta Monti (January 25, 1907 – December 8, 1993) was an American film actress, who was W. C. Fields' companion in his last years. Born Carlotta Montijo in Los Angeles, Monti appeared in B-movies and uncredited bit parts, including Kiss of Araby (1933), Tarzan the Fearless (1933) and Night Cargo (1936). She met Fields in 1932, and their ...
His best-known roles were as Frank Dowling, Katharine Hepburn's dancing partner, in Alice Adams (1935) and as a foil to W.C. Fields in four films, The Pharmacist (1933), Man on the Flying Trapeze (1935), You Can't Cheat an Honest Man (1939), and The Bank Dick (1940).
Six of a Kind is an American 1934 pre-Code comedy film directed by Leo McCarey and starring Charles Ruggles, Mary Boland, W.C. Fields, George Burns, and Gracie Allen. [1]A critical and box office success, Six of a Kind features the famous pocket billiards (pool) playing scene in which Fields explains how he got the name “Honest John”.
Fields wore his obviously fake moustache in this film, as he did in all of his silent films. His character and mannerisms bear some resemblance to Charlie Chaplin 's, although the persona Fields later developed in his sound comedies is foreshadowed during the picnic scene, when Fields's character dumps a small child out of a chair so that he ...
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