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The Motive and the Cue is a play written by Jack Thorne.The production, directed by Sam Mendes, premiered on 21 April 2023 at the National Theatre in London. The play revolves around the history behind the 1964 Broadway modern-dress production of William Shakespeare's Hamlet starring Richard Burton in a production directed by Sir John Gielgud.
The play's contemporary popularity is suggested both by the five quartos that appeared in Shakespeare's lifetime and by frequent contemporary references (though at least some of these could be to the so-called Ur-Hamlet). [4] [5] These allusions suggest that by the early Jacobean period the play was famous for the ghost and for its ...
In 1937, Tyrone Guthrie directed Olivier in a Hamlet at the Old Vic based on psychoanalyst Ernest Jones' "Oedipus complex" theory of Hamlet's behaviour. [45] Olivier was involved in another landmark production, directing Peter O'Toole as Hamlet in the inaugural performance of the newly formed National Theatre, in 1963. [46]
The Royal National Theatre production of Rosencrantz and Guildenstern had a year-long Broadway run from 9 October 1967, through 19 October 1968, initially at the Alvin Theatre, then transferring to the Eugene O'Neill Theatre on 8 January 1968. The production, which was Stoppard's first on Broadway, totalled eight previews and 420 performances. [2]
The production took place because of a lighthearted agreement between Richard Burton and Peter O'Toole while they were filming Becket.O’Toole decreed that they should each play Hamlet afterwards under the direction of John Gielgud and Laurence Olivier in either London or New York City, with a coin toss deciding who would be assigned which director and which city.
The Hamlet of the supposed earlier play also uses his perceived madness as a guise to escape suspicion. Eliot believes that in Shakespeare's version, however, Hamlet is driven by a motive greater than revenge, his delay in exacting revenge is left unexplained, and that Hamlet's madness is meant to arouse the king's suspicion rather than avoid it.
In Hamlet, Rosencrantz and Guildenstern always appear as a pair, except in editions following the First Folio text, where Guildenstern enters four lines after Rosencrantz in Act IV, Scene 3. [ 1 ] The two courtiers first appear in Act II , Scene 2, where they attempt to place themselves in the confidence of Prince Hamlet , their childhood friend.
Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera.. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas the former is a critique of the theatrical performance.