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Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
The work shows the common Lamentation of Christ theme, with Jesus depicted immediately after his deposition from the cross, surrounded by the people who loved him in life. They include John, who supports a Virgin Mary shattered by pain, Mary Magdalene crying at Jesus' feet and, in the background, Nicodemus with the pincer he used to remove ...
The Lamentation of Christ by circle of Rubens (Alte Pinakothek) Lament over the Dead Christ (Veronese) The Lamentation of Christ (Anthony van Dyck, Alte Pinakothek) Lamentation (Annibale Carracci) Lamentation (The Mourning of Christ) Lamentation of Christ (Dürer, Nuremberg) Lamentation of Christ (Bouts) Life of Christ (Giotto)
Annibale Carracci, The Dead Christ Mourned, c. 1604. 92.8 cm × 103.2 cm (36.5 in × 40.6 in).Oil canvas. National Gallery, London.. The Dead Christ Mourned (also known as Lamentation of Christ, Pietà with the Three Marys, or The Three Marys) is an oil painting on canvas of c. 1604 by Annibale Carracci. [1]
Lamentation (The Mourning of Christ) is a fresco painted c.1305 by the Italian artist Giotto as part of his cycle of the Life of Christ on the interior walls of the Scrovegni Chapel in Padua, Italy. [1] The Scrovegni Chapel was built as a private chapel next to the Eremitani Monastery by the wealthy Scrovegni family and consecrated in 1305.
The painting has a rectangular shape, and shows Christ being buried with the weeping Mary and John the Evangelist holding his hands. The corpse is supported by Joseph of Arimathea and by Nicodemus dressed in refined clothing of the times and gazing out towards the spectator, once thought to be a self-portrait of the artist which is now known to portray Cosimo the elder. [2]
Lamentation of Christ is an Early Netherlandish panel painting made 1455–1460 by Flemish painter Dirk Bouts of the Lamentation of Christ. [1] the picture was bequeathed to the Louvre Museum by Constant Mongé-Misbach in 1871, at which time it was misattributed to Rogier van der Weyden. [2] [3] It remains in that museum's collection as RF 1 ...
Geertgen tot Sint Jans – The Legend of the Relics of St. John the Baptist Of the paintings mentioned by Van Mander, the only one to survive is one wing of his triptych for an altar of the Knights of St. John at Haarlem, the two sides of which were sawn apart in about 1600, and are now in Vienna as The Legend of the Relics of St. John the Baptist, and the Lamentation of Jesus.