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DTS-HD Master Audio may be transported to AV receivers in 5.1, 6.1, or 7.1 channels, in full quality, in one of three ways depending on player and/or receiver support: [7] Over 6, 7 or 8 RCA connectors as analog audio, using the player's internal decoder and digital-to-analog converter (DAC).
DTS-HD Master Audio, previously known as DTS++, [28] is the second of two DTS-HD audio formats. [29] It supports a virtually unlimited number of surround sound channels, can deliver audio quality at bit rates extending from lossless (24-bit, 192 kHz) down to DTS Digital Surround and, like Neo, downmix to 5.1 or 2.1 systems.
The first and simplest method is using a surround sound recording technique—capturing two distinct stereo images, one for the front and one for the back or by using a dedicated setup, e.g., an augmented Decca tree [20] —or mixing-in surround sound for playback on an audio system using speakers encircling the listener to play audio from ...
In addition, some DVDs have DTS tracks, with most being 5.1 channel mixes (a few releases, however, have 6.1 "matrixed" or even discrete 6.1 tracks). Blu-ray and digital cinema both have eight-channel capability which can be used to provide either 5.1 or 7.1 surround sound . 7.1 is an extension of 5.1 that uses four surround zones: two at the ...
Windows Media Audio Lossless (WMA Lossless) is a lossless audio codec that competes with ATRAC Advanced Lossless, Dolby TrueHD, DTS-HD Master Audio, Shorten, Monkey's Audio, FLAC, Apple Lossless, and WavPack (Since late 2011, [37] [38] [39] the last three have the advantage of being open source software and available for nearly any operating ...
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Disc and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format.
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
True Audio (TTA) libtta; FFmpeg; Windows Media Audio Lossless (WMAL) Windows Media Encoder; FFmpeg (decoder only) Other. DTS-HD Master Audio, also known as DTS++ and DCA XLL libdca (decoder only) FFmpeg (decoder only) Dolby TrueHD – Standard for DVD-Audio in Blu-ray (mathematically based on MLP) FFmpeg