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A macrophotography bellows mounted on a Canon FT QL (1966) A folding Kodak camera with bellows. In photography, a bellows is the accordion-like, pleated expandable part of a camera, usually a large or medium format camera, to allow the lens to be moved with respect to the focal plane for focusing. [1] Bellows are also used on enlargers.
These lenses use conventional helicoids for focusing instead of the extending focusing bellows on the camera body of the SL66. In addition, SLX/6000 lenses all are equipped with in-lens leaf shutters. Because of this, SLX/6000 and SL66 lenses are not compatible. A 10-pin interface is provided to transmit signals between the lens and camera body.
Sheet film back for SL66. Film is loaded into interchangeable backs; these each have a dark slide which allows for mid-roll film changes. To avoid inadvertently spoiling the film, the dark slide must be in place shielding the film before the back can be removed; in addition, the dark slide can only be stored in the top of the magazine when the camera shutter has been cocked, preventing ...
Asahiflex I with viewfinder closed. Cameras using the M37 lens mount. Ashiflex I (1952–1953); Asahiflex Ia (1953–1954) — also sold as the Tower 23; Asahiflex IIb (1954–1957) — also sold as the Tower 23
Heidecke wanted to avoid conventional leather bellows for focusing the lens because of an earlier, bad experience: around 1916, he conducted an experiment with a Kodak camera; he left it in a cellar, and when he later retrieved it, he found that rats had eaten the bellows. This convinced him that a camera designed for photojournalism and ...
Diagram of a fireplace hand-bellows. A bellows or pair of bellows is a device constructed to furnish a strong blast of air.The simplest type consists of a flexible bag comprising a pair of rigid boards with handles joined by flexible leather sides enclosing an approximately airtight cavity which can be expanded and contracted by operating the handles, and fitted with a valve allowing air to ...
The Rolleiflex SLX is a line of medium format single lens reflex cameras made by Rollei, in regular production starting from 1976.The SLX incorporated electronic autoexposure and motorized film transport, competing directly with the integrated-motor Hasselblad 500EL/M and effectively displacing the earlier Rolleiflex SL66 line, although the older camera continued to be produced.
The Fuji GX680 has quite large physical dimensions for a medium-format camera, but compared to the typical monorail/studio large-format camera, the Fuji GX680 is more compact. Although the Fuji GX680 was designed for studio work due to its size and weight, a neck-strap was offered for mobile work.
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