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"The Wizard and I" features the "Unlimited" theme present throughout the musical. In this piece, Elphaba prophesizes a celebration throughout Oz regarding her, though she does not know it regards her "death" at the end of the musical, after being "melted" by Dorothy, which Elphaba ironically sings about in saying that she is "so happy I could melt."
Occasion: Connick on Piano, Volume 2; One Morning in May (album) One Quiet Night; Operator Dead... Post Abandoned; Other Hours: Connick on Piano, Volume 1; Our Beautiful Garden Is Open; Out of the Darkness (Retrospective: 1994–1999)
Mark Sloniker was born and grew up in Cincinnati, Ohio.His grandfather worked for The Baldwin Piano Company. Mark was so obsessed with playing piano all day and all night that his mother would sometimes call the firefighters to get him off the piano.
The Wizard of Oz's Glinda proclaimed there are good witches and bad witches, and Miss Eglantine Price (Angela Lansbury) falls decidedly in the good witch camp.In this delightful children's fantasy ...
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
It is loosely inspired by Baum's book Ozma of Oz (1907), incorporates much of the material from Baum's book The Road to Oz (1909), and was the basis for his 1914 novel, Tik-Tok of Oz. It was promoted as "A Companion Play to The Wizard of Oz" and directed by Frank M. Stammers. The play is known from its advertising and published music, but ...
In the movie The Wizard of Oz, in the scene involving the talking apple trees who become angry with Dorothy for picking apples off them, the strains of this song are heard in the instrumental underscore. Similarly, in Warner Bros. cartoons, for example, the tune was invoked in underscore sometimes, when trees were appearing on the screen.
Half of the book is devoted to the 1902 stage musical of The Wizard of Oz that Baum adapted from his book, with substantial revisions by the director and producer. The adaptation was a tremendous success, first in Chicago, then on Broadway, where it ran for two years, and then on tour for an additional seven years.
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