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Kant said that the schema of a concept is the representation of a general procedure of the imagination by which an image can be supplied for a concept. [23] Kant claimed that time is the only proper and appropriate transcendental schema because it shares the a priori category's generality and purity as well as any a posteriori phenomenon's ...
Immanuel Kant [a] (born Emanuel Kant; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy.
The Doctrine of Virtue further develops Kant's ethical theory, which he had already laid the foundation in the Groundwork of the Metaphysics of Morals (1785) and the Critique of Practical Reason. It develops Kant’s conception of virtue and expositions of particular ethical duties we have as rational human beings.
Kant's conception of duty does not entail that people perform their duties grudgingly. Although duty often constrains people and prompts them to act against their inclinations, it still comes from an agent's volition: they desire to keep the moral law from respect of the moral law. Thus, when an agent performs an action from duty it is because ...
Thomas Auxter (1982) Kant's Moral Teleology (Mercer University Press) Lewis White Beck (1960) A Commentary on Kant's Critique of Practical Reason (University of Chicago Press) R. Beiner and W.J. Booth (eds.) (1993) Kant and Political Philosophy (Yale University Press) Gary Banham (2000) Kant and the Ends of Aesthetics (Macmillan)
In philosophy, transcendental apperception is a term employed by Immanuel Kant and subsequent Kantian philosophers to designate that which makes experience possible. [1] The term can also be used to refer to the junction at which the self and the world come together. [2]
In Kant's Transcendental Idealism, Henry E. Allison proposes a new reading that opposes, and provides a meaningful alternative to, Strawson's interpretation. [14] Allison argues that Strawson and others misrepresent Kant by emphasising what has become known as the two-worlds reading (a view developed by Paul Guyer). This—according to Allison ...
Kant described the relationship between these finer feelings and humanity. The feelings are not totally separate from each other. Beauty and the sublime can be joined or alternated. Kant claimed that tragedy, for the most part, stirs the feeling of the sublime. Comedy arouses feelings for beauty.