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The Compañía Inmobiliaria Provenza, SA (CIPSA) was founded to administer the building. [16] Roser Segimon continued to live on the main floor until her death in 1964. [17] Casa Milà in 1914. The new owners divided the first floor facing Carrer de Provença into five apartments instead of the original two.
The Gaudí House Museum (Catalan: Casa Museu Gaudí; Spanish: Casa-Museo Gaudí), located within the Park Güell in Barcelona, is a historic home museum that houses a collection of furniture and objects designed by the Spanish architect Antoni Gaudí. It was the residence of Gaudí for almost 20 years, from 1906 until the end of 1925.
[1] After five years of work and schooling, Gaudi qualified as an architect in 1878. As Elies Rogent signed Gaudí's degree he declared, "Qui sap si hem donat el diploma a un boig o a un geni. El temps ens ho dirà." ("Who knows if we have given this diploma to a nut or to a genius. Time will tell.") Gaudi immediately began to plan and design.
The house was bought by Josep Batlló in 1903. The design of the house made the home undesirable to buyers but the Batlló family decided to buy the place due to its centralized location. It is located in the middle of Passeig de Gràcia, which in the early 20th century was known as a very prestigious and fashionable area. It was an area where ...
Front entrance allowed horse-drawn carriages to enter the home through one door and exit through the other. The Palau Güell (Catalan pronunciation: [pəˈlaw ˈɣweʎ], English: Güell Palace) is a mansion designed by the architect Antoni Gaudí for the industrial tycoon Eusebi Güell, and was built between 1886 and 1888.
Bellesguard (Catalan pronunciation: [ˌbeʎəzˈɣwaɾt], "Beautiful View"), also known as Casa Figueres, is a modernist manor house designed by Catalan architect Antoni Gaudí, which was constructed between 1900 and 1909. It is located at the Sarrià-Sant Gervasi district of Barcelona in Catalonia, Spain.
The Casa Botines (built 1891-1892) is a modernista building in León, Spain designed by Antoni Gaudí.It currently houses a museum dedicated to Gaudi, Spanish art of the 19th and 20th centuries, and the history of the building itself.
The concept Gaudí had of the family home – which was reflected in Casa Vicens – is captured in an unpublished article he wrote in 1881, entitled The Manor House (Catalan: La casa pairal). He writes, ‘The house is the small family nation. The family, like the nation, has history, foreign relations, changes of government, and so on.