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Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
Greek art, especially sculpture, continued to enjoy an enormous reputation, and studying and copying it was a large part of the training of artists, until the downfall of Academic art in the late 19th century. During this period, the actual known corpus of Greek art, and to a lesser extent architecture, has greatly expanded.
Bust of Artemis, with the typical classical figure of idealized features and impassive expression.Roman copy, National Archaeological Museum of Naples Since the Severe period, the effort of artists was directed towards obtaining an increasing verisimilitude of sculptural forms concerning the living model but also seeking to transcend mere likeness to express their inner virtues.
Modern Greek art, after the establishment of the Greek Kingdom, began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history.
Here, it included the revelatory tale told by a civilization's art and artifacts—these, if we look closely, tell us their own story of cultural factors, such as climate, freedom, and craft. [11] Winckelmann sets forth both the history of Greek art and of Greece. He presents a glowing picture of the political, social, and intellectual ...
Cycladic culture (also known as Cycladic civilisation) was a Bronze Age culture (c. 3100–c. 1000 BC) found throughout the islands of the Cyclades in the Aegean Sea.In chronological terms, it is a relative dating system for artifacts which is roughly contemporary to Helladic chronology (mainland Greece) and Minoan chronology (Crete) during the same period of time.
Thalassa (/ θ ə ˈ l æ s ə /; Ancient Greek: Θάλασσα, romanized: Thálassa, lit. 'sea'; [2] Attic Greek: Θάλαττα, Thálatta [3]) was the general word for 'sea' and for its divine female personification in Greek mythology. The word may have been of Pre-Greek origin [4] and connected to the name of the Mesopotamian primordial ...
Understanding the meaning of that artwork requires historical context. Made by an Athenian artist at the peak of Athenian imperialism over the Greek world, after winning the Greco-Persian wars and taking control of the treasury of the Delian League.