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In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them ...
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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
The first 35 exercises in the first seven lessons are limited to a single octave, using only whole notes, half notes, and quarter notes. The next 30 exercises in the next seven lessons expand the range on the cornet with a focus on intervals and endurance while introducing eighth notes , dotted notes , and rests rhythmically.
"The Lick" in E minor written in modern staff notation (top) and tablature (bottom) "The Lick" in E minor played on the guitar, with the grace note on the first and fifth note The Lick in different swing levels (straight, 60%, 70%, then 80%)
Known throughout his childhood as "Toots", Smith originally started as a drummer but was convinced by Ethel Waters that he was far better as a trumpet player. It has been said that when he reached New York in 1920 he already had a fully formed style, which achieved "the vocalized sound, the blues spirit and the swing which makes for convincing jazz performance".
Frank Motley, Jr. (December 30, 1923 – May 31, 1998) [1] was an American R&B and jazz musician and bandleader who worked in Canada for much of his career. His main instrument was the trumpet, on which he was known for playing two simultaneously.
During the Depression, they tried to run a tailor shop in Harlem, but neither was interested in business. Ladnier left New York and played in the east, sometimes giving trumpet lessons. For a year, he lived in Stamford, Connecticut. In 1938, Hugues Panassié, a French critic and record producer who met Ladnier in Paris in 1930, visited New York.