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In contemporary auctions and sales, his work has sold for over $40,000 per piece. [17] The 1998 exhibition The Life and Works of the Enslaved African American Potter, Dave at University of South Carolina's McKissick Museum was the first exhibition devoted solely to Drake's pottery. [13] In 2008, Leonard Todd published a cohesive biography on Drake.
Leigh founded Keno Auctions in 2009 and continues to advise major clients in the art and antiques world. The company is based in his townhouse on the Upper East Side. [13] In 2010, they created a lifestyle brand called Keno Bros. [14] designed by them and manufactured by Theodore Alexander. The brand, which embodies contemporary design with ...
Their work is held in the collections of the Missouri History Museum, Illinois State Museum, [5] Metropolitan Museum of Art, [6] and Winterthur Museum, Garden and Library. [7]
The former Minnesota Stoneware Company building in Red Wing. Crock manufactured by the company. An offshoot of Red Wing Terra Cotta Works, the Minnesota Stoneware Company, was in production from 1880 to 1906, making a salt-glazed version of the pottery. It is one of the companies that merged to form Red Wing Union Stoneware Company. [1] [2]
Positions on the board include President, Vice President, Secretary, Treasurer, Historian, Auction Manager, Education Manager, Commemorative Manager, and two Representatives-at-large. The Society's Executive Director is a non-voting member of the board. Board meeting times and locations are published in the bimonthly newsletter and are open for ...
Stoneware is a broad term for pottery fired at a relatively high temperature. [2] A modern definition is a vitreous or semi-vitreous ceramic made primarily from ...
He was an avid collector of early American stoneware, baskets, redware, and furniture, especially unique and rare pieces from Colonial-era Pennsylvania. The two-day sale features nearly 1,000 items from the 18th-century farmhouse in Bedminster, Pennsylvania, known as "Elderberry Farm," that Hoeflich called home for half a century.
An exhibition of early American pottery in 1931 presented a “Commeraw Stoneware Jug.” [2] Although the catalogue did not yet reflect the erroneous spelling of “Commereau” that would become popular with later pottery catalogues, such as Ketchum's important record of New York potters, it also did not mention the ethnicity of Commeraw, leaving the reader to assume that he was an American ...
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