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One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering, zoomorphics, plant forms and human figures. As the archaeologist Catherine Johns put it: "Common to Celtic art over a wide chronological and geographical span is an exquisite sense of balance in the layout ...
The Saint Gobnait stained glass window was designed in 1915 [1] and installed in 1916 in the Honan Chapel, Cork by the Irish artist Harry Clarke. It is one of eleven windows he designed for the chapel at the beginning of his career. The commission, and this window in particular, sealed his reputation as an artist of international renown.
The studio is regarded as part of the Arts and Crafts Movement, [6] but was infused also with the contemporary spirit of Irish revivalism [7] and drew on the artistic tradition of Celtic manuscript illumination. Ireland became an internationally renowned center of stained-glass art at this time, to a large extent as a result of An Túr Gloine. [8]
Trained in stained glass and working in an Art Nouveau style, O'Shaughnessy designed a series of windows and interior stencils for Old Saint Patrick's Church in Chicago, a 10-year project begun in 1912. Louis Sullivan, the Chicago architect, incorporated dense Art Nouveau and Celtic-inspired interlace in the ornament of his buildings. Sullivan ...
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
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