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One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
The term stained glass is also applied enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the engineering skills to assemble the piece. A window must fit snugly into the ...
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
The most well-preserved set of medieval stained glass windows however, is that of Lye Church; it is the most well-preserved set of medieval stained glass in the Nordic countries. [ 40 ] [ 41 ] [ 42 ] The style of these windows may have been influenced by English or northern German (possibly Lübeck ) contemporary art.
A blue variant of the print sold for $94,062.50 in Los Angeles in 2022. [3] Escher became interested in how forms could fit together to create what Sarah Lawson calls "paradoxical patterns", as when the black geese in Day and Night emerge from the darkened spaces between the white geese that are flying in the opposite direction. [4]
Sky and Water I is a woodcut print by the Dutch artist M. C. Escher first printed in June 1938. The basis of this print is a regular division of the plane consisting of birds and fish . Both prints have the horizontal series of these elements —fitting into each other like the pieces of a jigsaw puzzle —in the middle, transitional portion of ...