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Omniscient Reader's Viewpoint, also alternatively translated as Omniscient Reader (Korean: 전지적 독자 시점; RR: Jeonjijeok Dokja Sijeom), is a South Korean web novel written by Sing Shong. It was first published on January 6, 2018, on the platform Munpia, and ended on February 2, 2020. [1]
Omniscient Reader's Viewpoint (전지적 독자 시점) by writer-duo SingShong is a Korean webnovel which features the Prisoner of the Golden Headband, Sun Wukong, as a prominent side character. [31] Its Webtoon adaptation also includes the Monkey King, though not to the extent of the novel. [32] [33]
Naver Web Novel (네이버웹소설; Neibeowebsoseol) first started its service on January 15, 2013. It is a web novel platform under Naver, the nation's top search engine. According to a January 2016 Naver press release, more than 5 million readers have accessed Naver's web novels more than once a month, which is loved by many readers.
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Omniscient Interfering View is an observational entertainment show that uses a documentary style techniques to observe the life of the cast members, invited guests and their managers. [1] The show follows another program, I Live Alone of a similar format, which airs on the same channel on Fridays at the same time slot.
The novel Omniscient Reader's Viewpoint features their own version of Sun Wukong. He is a constellation that goes by the modifier of Prisoner of the Golden Headband, Great Sage, Heaven's Equal. He is a constellation that goes by the modifier of Prisoner of the Golden Headband, Great Sage, Heaven's Equal.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
In narratology, focalisation is the perspective through which a narrative is presented. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing an omnisicent narrator. [2]
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