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In 1964, the group recorded "Zip-A-Dee-Doo-Dah", which charted in the UK. In 1968, they recorded their first version of "The Witch", with vocals by Henner Hoier. [1] The band's records sold well in Germany throughout the 1960s. They were featured in the 1966 German film 'Hurra! Die Rattles Kommen!' ('Hurray! The Rattles Are Coming!'). [2]
The Free Music Archive (FMA) is an online repository of royalty-free music, currently based in the Netherlands. [1] Established in 2009 by the East Orange, New Jersey community radio station WFMU and in cooperation with fellow stations KBOO and KEXP , it aims to provide music under Creative Commons licenses that can be freely downloaded and ...
Edna Bejarano is an Israeli-born German singer. She was born in 1951 in Tel Aviv, the daughter of Esther Bejarano. [1] The family moved to Germany in 1960. She was the lead singer of the German rock band The Rattles from 1970 until 1973 and sang on their biggest selling record, the 1970 song "The Witch", which sold over one million copies globally.
This is a list of songs by their Roud Folk Song Index number; the full catalogue can also be found on the Vaughan Williams Memorial Library website. Some publishers have added Roud numbers to books and liner notes, as has also been done with Child Ballad numbers and Laws numbers.
Music Sounds Description License Zapsplat: Yes Yes Sound effects library offering over 116,000 free sound effects and music. CC0 YourFreeSounds: Yes Yes Independent, unique sound library with royalty free & free sound effects - for video, sound design, music productions and more. CC0, CC BY Gfx Sounds: Yes Yes
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Gregson-Williams was the first composer whom director Andrew Adamson approached for the film because they had worked together on Shrek (2001) and Shrek 2 (2004). Because Adamson had to shoot the film in New Zealand for an extended period and Gregson-Williams was working on scores for films such as Kingdom of Heaven, he initially only prepared for the project by re-reading the book and reading ...
Zango was released to critical acclaim. At Metacritic, the album received an aggregate score of 84 based on 4 reviews, indicating "universal acclaim". [8]Writing for Pitchfork, Brad Sanders praised the album for evolving Witch's sound while also adhering to their classic Zamrock roots, writing: "Zango is rooted in classic Zamrock, and it builds on the inherent malleability of the genre's sound.