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AC'97 (Audio Codec '97; also MC'97 for Modem Codec '97) is an audio codec standard developed by Intel Architecture Labs and various codec manufacturers in 1997. The standard was used in motherboards , modems , and sound cards .
Beginning with the knob turned down to zero, it is increased when a note is played. The effect can also be performed by using a volume pedal. It is sometimes called "violining", because the sound is similar to a bowed violin. [1] Volume swells can be used in conjunction to bending in order to make it sound like a human voice raising in pitch ...
The Nintendo Entertainment System's audio processing unit (the Ricoh 2A03 chip) includes a Delta Modulation Channel (DMC) to demodulate percussion and sound effects. The DMC reads delta-encoded audio data via direct memory access into a shift register , which gets shifted out serially into an up/down counter acting as the demodulator's integrator.
Much later on, these analogue delays were augmented by digital delay units. There has since been a thriving market among guitarists and other musicians for guitar pedals, or effects units, reproducing chorus and delay that owe their development to ADT. Nowadays, the ADT and similar effects are available as computer software plugins.
DMP was founded in 1983 by engineer Tom Jung after he left Sound 80 recording studios in Minneapolis, Minnesota. [1] The label's first releases in 1983 featured pianist Warren Bernhardt, Jay Leonhart, and the group Flim & the BB's. These were among the first non-classical recordings released on compact disc.
The sound can be that of any musical instrument, but the effect is most commonly associated with the guitar. The rich harmonics of an electric guitar are shaped by the mouth, producing a sound very similar to voice, effectively allowing the guitar to appear to "speak". The effect produced by talk boxes and vocoders are often conflated by listeners.
A slicer is an effects unit which is similar to a tremolo, vibrato, phaser, or autopan. It combines a modulation sequence with a noise gate or envelope filter to create a percussive and rhythmic effect like a helicopter, with rapid cutting out and coming in—on and off. [1] Most have variable speeds and depths, creating different sounds.
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