Search results
Results from the WOW.Com Content Network
The book discusses the various technical aspects of instruments, such as chromatic range, tone quality, and limitations. An explanation of the role of particular instruments within the orchestra is also provided. The book also provides orchestral excerpts from classical scores to give examples of techniques
The Orchestra: A User's Manual by Andrew Hugill with The Philharmonia Orchestra. In depth information on orchestration including examples and video interviews with instrumentalists of each instrument. Books about Music: Orchestration An overview of books on the theory and practice of orchestration.
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
The orchestra then enters with the same theme, in B major, the major mediant key, which is in a chromatic mediant relationship to the tonic. Thus enters the first theme. [8] The orchestra states the main theme in B major, dropping through the circle of fifths to a cadence in the tonic, G major.
A book review is a form of literary criticism in which a book is merely described (summary review) or analyzed based on content, style, and merit. [ 1 ] A book review may be a primary source , an opinion piece, a summary review, or a scholarly view. [ 2 ]
Samuel Barber's Essay for Orchestra, Op. 12, completed in the first half of 1938, is an orchestral work in one movement. It was given its first performance by Arturo Toscanini with the NBC Symphony Orchestra on November 5, 1938 in New York in a radio broadcast concert in which the composer's Adagio for Strings saw its first performance.
Hugues Dufourt is commonly credited for introducing the term musique spectrale (spectral music) in an article published in 1979. [ 1 ] [ 2 ] Murail has described spectral music as an aesthetic rather than a style, not so much a set of techniques as an attitude; as Joshua Fineberg puts it, a recognition that "music is ultimately sound evolving ...
More broadly, electrical engineering professor Bart Kosko in the introductory chapter of his book Noise defines noise as a "signal we don't like." [ 4 ] Paul Hegarty , a lecturer and noise musician, likewise assigns a subjective value to noise, writing that "noise is a judgment, a social one, based on unacceptability, the breaking of norms and ...