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In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm.
Viola sororia ( / vaɪˈoʊlə səˈrɔːriə / vy-OH-lə sə-ROR-ee-ə ), [ 5] known commonly as the common blue violet, is a short-stemmed herbaceous perennial plant native to eastern North America. It is known by a number of common names, including common meadow violet, purple violet, woolly blue violet, hooded violet, and wood violet.
Daniel Kline, in an essay titled "The New Kids: Indigo Children and New Age Discourse", notes that the magical belief that the innocence of children equates to spiritual powers has existed for centuries, and that the indigo child movement is rooted in a religious rejection of science-based medicine.
In addition, these meanings are alluded to in older pictures, songs and writings. New symbols have also arisen: one of the most known in the United Kingdom is the red poppy as a symbol of remembrance of the fallen in war.
Agni is a Hindu and Vedic deity depicted in three forms: fire, lightning and the sun. In Hindu art, Agni is depicted with two or seven hands, two heads and three legs. On each head, he has seven fiery tongues, with which he licks sacrificial butter. He rides a ram or a chariot harnessed by fiery horses.
For example, the blue light in the spectrum might represent the influence of spiritual beliefs and values on our behavior, such as the belief in a higher power or a moral code. The ultra-violet light at the end of the spectrum might represent the influence of universal archetypes, such as the hero, the wise elder, or the trickster, on our ...
Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.