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The album title is a portmanteau of pornography and graffiti. Extreme II sold very well, peaking at No. 10 on the Billboard 200 , and was certified double platinum in the U.S. by the RIAA . It is the band's best selling album.
The primary reason for the change was the fact that in April 1997 Xerox had sued PalmSource, Inc. over its use of Graffiti. [2] After a legal fight lasting a number of years, and despite the dismissal of the case by a federal judge, Xerox won a reversal late in 2001 in the U.S. Court of Appeals.
2 26 "Love,too Death,too" October 8, 2008 2 27 "Koyoi, Tsuki ga Miezutomo" December 10, 2008 2 28 "Kono Mune o, Ai o Iyo" September 9, 2009 2 29 "Anima Rossa" November 25, 2009 3 30 "Hitomi no Oku o Nozokasete" February 10, 2010 4 31 "Kimi wa 100%" October 27, 2010 2 32 "Exit" March 2, 2011 5 33 "One More Time" September 21, 2011 4 34
The Danish documentary, Women on Walls was released in 2014 in conjunction with the annual event. It follows a number of female graffiti artists participating in the event. It includes interviews with graffiti artists and the behind-the-scenes coordinators of Femme Fierce. Notable female graffiti writers include Akit, Sasu, Claw, and Lady Pink ...
The band released their second studio album, American Graffiti, on November 27, 2015, through Tragic Hero Records. [ 14 ] Track 5 from American Graffiti, "Simon Vandetta", is named after the highest donor to their IndieGogo campaign to get a tour van, who is also the artist that did the cover art for Stolas release "Catalyst"
Graffiti was the week's second highest debut, only behind Glee: The Music, Volume 2. [47] To date, the album has sold 341,000 copies in the United States. The sales fell short compared to his previous two albums, [4] but it was still certified Gold by the RIAA nearly ten years later, on August 23, 2019.
It includes graffiti artists that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "Women graffiti artists" The following 37 pages are in this category, out of 37 total.
The Dutch punk-graffiti artist Diana Ozon at a squat on the Sarphatistraat, 1978. While graffiti has historically been considered a male-dominated art form, [1] women have contributed to graffiti since its inception, with some theorising that early cave wall art was primarily drawn by women. [2]