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Extreme II: Pornograffitti (also known as simply Pornograffitti) is the second studio album by the heavy metal band Extreme, released on August 7, 1990, through A&M Records. [4] The album title is a portmanteau of pornography and graffiti .
This category has the following 2 subcategories, out of 2 total. D. Documentary films about graffiti (14 P) G. Graffiti video games (12 P) Pages in category "Graffiti ...
An earlier album, also titled More American Graffiti, was an official album sequel to the first soundtrack to American Graffiti. The album (MCA 8007) was released in 1975, four years before the film sequel of the same name was released. While only one of the songs in this album was actually used in the 1973 motion picture, this collection was ...
The album's musical style is made by mixtures of R&B, synth pop, rock and Euro-disco. [1] [2] Critics noted that with the album's sound Brown aimed to expand his music beyond the genres of his previous works. [2] Greg Kot of Chicago Tribune said that Brown "borrows from the cross-genre experiments of Kanye West, Saul Williams, and Lil Wayne."
The primary reason for the change was the fact that in April 1997 Xerox had sued PalmSource, Inc. over its use of Graffiti. [2] After a legal fight lasting a number of years, and despite the dismissal of the case by a federal judge, Xerox won a reversal late in 2001 in the U.S. Court of Appeals.
A second compilation, titled More American Graffiti (MCA 8007) (and not to be confused with the 1979 film sequel of that name) was issued by MCA in early 1975 with George Lucas's approval. [ citation needed ] It features more rock and doo-wop hits from the late 1950s and early 1960s (only one of which, the Crows' "Gee", was featured in the film ...
Some films are not listed here in order to keep this list to a manageable size. These include films that were released before 1930 (see Category:Films by year for pre-1930 films) and works of the United States government. Films released under a free license such as Creative Commons are also excluded.
Graffiti in Two Parts is a live album by the Joe Morris Quartet, led by Morris on guitar and banjouke, and featuring cornetist Lawrence D. "Butch" Morris, violinist Malcolm Goldstein, and, in a rare appearance, multi-instrumentalist Lowell Davidson on drums and aluminum acoustic bass.