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Androcentrism (Ancient Greek, ἀνήρ, "man, male" [1]) is the practice, conscious or otherwise, of placing a masculine point of view at the center of one's world view, culture, and history, thereby culturally marginalizing femininity.
Sociologists Arthur Brittan and Satoshi Ikeda describe masculinism as an ideology justifying male domination in society. [ c ] [ 20 ] Masculinism, according to Brittan, maintains that there is "a fundamental difference" between men and women and rejects feminist arguments that male–female relationships are political constructs.
Phallocentrism is the ideology that the phallus, or male sexual organ, is the central element in the organization of the social world. [1] Phallocentrism has been analyzed in literary criticism, psychoanalysis and psychology, linguistics, medicine and health care, and philosophy.
The term masculine of center refers one's position on a gender spectrum. MoC people would roughly fall into the upper left quadrant in this graph.. Masculine of center (abbreviated as MoC) is a broad gender expression term used to describe a person who identifies or presents as being more masculine than feminine.
Studies of male sexual coercion and female resistance in nonhuman primates (for example, chimpanzees [88] [89]) suggest that sexual conflicts of interest underlying the patriarchy precede the emergence of the human species. [90] However, the extent of male power over females varies greatly across different primate species. [90]
The principle of male as norm holds that grammatical and lexical devices such as the use of the suffix-ess (as in actress) specifically indicating the female form, the use of man to mean "human", and similar means strengthen the perceptions that the male category is the norm, and that corresponding female categories are derivations and thus less important.
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Male-gaze theory also proposes that the male gaze is a psychological "safety valve for homoerotic tensions" among heterosexual men; in genre cinema, the psychological projection of homosexual attraction is sublimated onto the women characters of the story, to distract the spectator of the film story from noticing that homoeroticism is innate to ...