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The following people have all worked for or been otherwise closely associated with the St. Louis Post-Dispatch. Pages in category " St. Louis Post-Dispatch people" The following 47 pages are in this category, out of 47 total.
It was created by Eddie Mort and Lili Chin and produced by Warner Bros. Animation. It is the first animated television series intended for children created with Macromedia Flash, a program which became widely used as a medium for animation in the years. [2] A direct-to-video feature film based on the series, ¡Mucha Lucha!:
The St. Louis Post-Dispatch as Appraised by Ten Distinguished Americans (St. Louis, 1926). Orrick Johns , Time of Our Lives: The Story of My Father and Myself , (New York, 1937). George Sibley Johns , father of the author, was editor of the Post-Dispatch for many years, and was the last of Joseph Pulitzer's "Fighting Editors".
¡Mucha Lucha! is an American animated television series created by Eddie Mort and Lili Chin. Set in the fictional Southern California town of Luchaville, a location so heavily influenced by lucha libre that nearly every resident has their own mask, costume, and signature move, the series follows young adolescents Rikochet, Buena Girl, and the Flea and their studies at the Foremost World ...
St. Louis Post-Dispatch; St. Louis Star-Times; 0–9. 100 Neediest Cases; O. Our Own Oddities; W. Weatherbird This page was last edited on 27 April 2020, at 12:03 ...
The Gashouse Gang was the nickname of the St. Louis Cardinals baseball team that dominated the National League from the late 1920s to the early 1930s. [1] Owing to their success that started in 1926, the Cardinals would win a total of five National League pennants from 1926 to 1934 (nine seasons) while winning three World Series championships (1926, 1931, 1934).
Musial's popularity proved to spread past St. Louis and the Midwest. It was the Brooklyn Dodgers fans during the June 23, 1946 game at Ebbets Field who began to call him "The Man". [55] St. Louis Post-Dispatch sportswriter Bob Broeg heard Dodger fans chanting whenever Musial came to bat, but was unable to interpret the words.
The Peacock Alley was a jazz club at 2935 Lawton Boulevard St. Louis, Missouri. It was one of St. Louis' most important nightclubs in the 1950s. [2] [3] Due to its close proximity to Union Station, it was favored among musicians. [4]
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related to: eddie mort and lili chin band st louis post dispatch cardinalsPremier Source for Millions of Live Event Tickets - ConsumerAffairs