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Mary MacPherson (née MacDonald), known as Màiri Mhòr nan Òran (English: Great Mary of the Songs) or simply Màiri Mhòr (10 March 1821 – 7 November 1898), was a Scottish Gaelic poet from the Isle of Skye, whose contribution to Scottish Gaelic literature is focused heavily upon the Highland Clearances and the Crofters War; the Highland Land League's campaigns of rent strikes and other ...
Pages in category "Songs with lyrics by Mary Susan Applegate" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. C.
"Mary Ann" is a traditional calypso that was recorded by Trinidadian calypsonian Roaring Lion (born Rafael de Leon). [1] It was popular with steel bands and revelers during a spontaneous carnival celebration on V-J Day in Trinidad in 1945, at the end of World War II. [2] The song's lyrics allude to Mary Ann's occupation: All day, all night ...
The song's playful lyrics include onomatopoeia, with the "motorboat" sound [5] (an extended raspberry) imitating a car's engine. [6] Possibly the best known of Guthrie's many children's songs, [7] it remains a family and sing-along standard into the 21st century. [6] [7] "Riding in My Car" is included in the popular sing-along songbook Rise Up ...
Tracy Chapman is finally getting a new moment in the awards spotlight, 35 years after the release of her biggest hit, "Fast Car." The two gave an emotional performance at the GRAMMYs on Sunday ...
A car song is a song with lyrics or musical themes pertaining to car travel. Though the earliest forms appeared in the 1900s, car songs emerged in full during the 1950s as part of rock and roll and car culture, but achieved their peak popularity in the West Coast of the United States during the 1960s with the emergence of hot rod rock as an outgrowth of the surf music scene.
Writing for Today, John Hartl criticised the film's music, saying "A musical lives or dies on the strength of its songs, and the late Jonathan Larson’s rock tunes for Rent simply don’t measure up. The music is more bombastic than melodic; the lyrics are banal and gratingly predictable — an affliction they share with much of the dialogue.
The song appears in the 1953 British/French movie Innocents in Paris, in which it was sung with its original Russian lyrics by the Russian Tzigane chanteuse Ludmila Lopato. Mary Hopkin's 1968 recording, with Gene Raskin's lyric, was a chart-topping hit in much of the Northern Hemisphere.