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A vertical bell lyre in use by the National Marching Band of the RAF Air Cadets. In the United Kingdom, the United States, and Canada, a form of glockenspiel is called a bell lyre, bell lyra, or lyra-glockenspiel. [11] The bell lyre is a form of glockenspiel commonly used in marching bands. [12]
The earliest reference to the word "lyre" is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists" and written in the Linear B script. [5] In classical Greek, the word "lyre" could either refer specifically to an amateur instrument, which is a smaller version of the professional cithara and eastern-Aegean barbiton, or "lyre" can refer generally to all three instruments as a family. [6]
One method noted for its use of xylophones is Orff-Schulwerk, which combines the use of instruments, movement, singing and speech to develop children's musical abilities. [27] Xylophones used in American general music classrooms are smaller, at about 1 + 1 ⁄ 2 octaves, than the 2 + 1 ⁄ 2 or more octave range of performance xylophones. The ...
Standard drum and lyre corps has 4 to 48 members. There is one leader, who serves as the conductor and leads the band in parades and exhibitions. He uses a conductor stick and must be shown respect by the band. The main part of the band has two sections: the drum sections and the lyre sections. The lyre section makes up the majority of the band.
[1] [2] All of the instruments of the ancient Greek lyre family were played by strumming the strings, but modern African lyres are most often plucked; a few yoke lutes are played with a bow. [ 2 ] The sound box can be either bowl-shaped (321.21) or box-shaped (321.22).
The personal nature of many of the verses of the Nine Lyric Poets led to the present sense of "lyric poetry" but the original Greek sense of "lyric poetry"—"poetry accompanied by the lyre" i.e. "words set to music"—eventually led to its use as "lyrics", first attested in Stainer and Barrett's 1876 Dictionary of Musical Terms. [5]
Music arranger Courtney Swain rearranged the song to work with what the production had. "Philip Glass was so happy with what we did that they are rereleasing our arrangement of the song in a few ...
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.