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Orpheus Mourning the Death of Eurydice, a painting by Ary Scheffer (1814) Orpheus Leading Eurydice from the Underworld, a painting by Jean-Baptiste-Camille Corot (1861) Orpheus and Eurydice, a painting by Edward Poynter (1862) Orpheus and Euridice, a painting by Frederic Leighton (1864) Orpheus and Eurydice, a sculpture by Auguste Rodin (1893)
Orfeo ed Euridice ([orˈfɛ.o e.d‿ewˈri.di.t͡ʃe]; French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi.
Nikos Nikolaidis's 1975 film Evrydiki BA 2037 is an innovative perspective on the classic Greek tragedy of Orpheus and Eurydice. Anaïs Mitchell's 2010 folk opera musical Hadestown retells the tragedy of Orpheus and Eurydice with a score inspired by American blues and jazz, portraying Hades as the
L'Orfeo (SV 318) (Italian pronunciation: [lorˈfɛːo]), or La favola d'Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.
Eurydice (/ j ʊəˈr ɪ d ɪ s iː /; Ancient Greek: Εὐρυδίκη 'wide justice', classical pronunciation: [eu̯.ry.dí.kɛː]) was a character in Greek mythology and the wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music.
Orfeo (Orpheus) is an opera in three acts by the Italian composer Antonio Sartorio.The libretto, by Aurelio Aureli, is based on the myth of Orpheus and Eurydice.It was first performed at the Teatro San Salvatore, Venice in 1672.
The story of the opera follows the Greek legend of Orpheus, who descends to Hades to persuade the gods of the Underworld to allow him to bring his dead bride, Eurydice, back to the living world. His plea is granted, on the condition that he does not look back while leading Eurydice out of Hades.
The Tale of Orpheus and Erudices his Quene is a poem by the Scottish Northern Renaissance poet Robert Henryson that adapts and develops the Greek myth which most famously appears in two classic Latin texts, the Metamorphoses of Ovid and the Georgics of Virgil. Jacopo del Sellaio, Orpheus and Eurydice, c.1480