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The original goal of state-mandated film in the Soviet Union was to develop a means of propaganda purposed to usurp other forms of entertainment. 1920s cinema was designed to make a financial and ideological impact, and by the mid-1930s, foreign films were no longer imported into Russia from outside countries.
Upon the establishment of the Russian Soviet Federative Socialist Republic (RSFSR) on November 7, 1917 (although the Union of Soviet Socialist Republics did not officially come into existence until December 30, 1922), what had formerly been the Russian Empire began quickly to come under the domination of a Soviet reorganization of all its institutions.
Although Russian was the dominant language in films during the Soviet era, the cinema of the Soviet Union encompassed films of the Armenian SSR, Georgian SSR, Ukrainian SSR, and, to a lesser degree, Lithuanian SSR, Byelorussian SSR, and Moldavian SSR. For much of the Soviet Union's history, with notable exceptions in the 1920s and the late ...
Natsionalna kinostudiia khudozhnikh filmiv imeni O. Dovzhenka) is a former Soviet film production studio in Ukraine that was named after the Soviet film producer, Oleksandr Dovzhenko, in 1957. With the fall of the Soviet Union, the studio became a property of the government of Ukraine. In 2000, the film studio was awarded national status. [1]
Five–Year Plan for the Restoration and Development of Soviet Cinematography / Ivan Bolshakov, Minister of Cinematography of the Soviet Union – 2nd Edition (Revised) – Moscow: State Publishing House of Cinematic Literature, 1946 (Printing House "Red Banner") – 47 Pages; Soviet Cinema in 1947: Transcript of a Public Lecture Delivered on ...
A 33-year-old film featuring a naked secretary and a head-shaped cake turns out to be one of the best explanations of the ideas driving the Russian leader.
Lev Vladimirovich Kuleshov (Russian: Лев Владимирович Кулешов; 13 January [O.S. 1 January] 1899 – 29 March 1970) was a Russian and Soviet filmmaker and film theorist, one of the founders of the world's first film school, the Moscow Film School. [1] He was given the title People's Artist of the RSFSR in 1969.
Iskusstvo Kino (Russian: Искусство кино, Film Art) was a film magazine published in Moscow, Russia.It was one of the earliest magazines in Europe which specialize on film theory and review alongside the British magazine Sight & Sound and the French magazine Cahiers du Cinéma. [1]