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"Everybody Wants to Go to Heaven" is a country music song co-written by American songwriters Jim Collins and Marty Dodson. The song was initially to have been recorded by George Strait for his 2008 album Troubadour, but after Strait decided not to include the song on this album, it was recorded by Kenny Chesney instead. Released in August 2008 ...
The heavenly Word proceeding forth, Yet leaving not his Father's side, And going to His work on Earth, Has reached at length life's eventide. By false disciple to be given To foemen for His blood athirst, Himself, the living bread from heaven, He gave to his disciples first. In twofold form of sacrament, He gave His flesh, He gave His blood,
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
Händel was a native German and a Lutheran before he moved to England and most likely was familiar with his denomination's hymnic repertoire. In addition, it is known Mason was a great admirer and scholar of Handel's music, and had in fact become president of the Boston Handel and Haydn Society in 1827 [12] and was also an editor for them. [13]
In 1928, the Nat Shilkret Orchestra had a major hit with the song and other successful versions that year were by Nathan Glantz and by Franklyn Baur. [3]The song was a popular single by Irish band The Bachelors, which was released on January 3, 1964 on the Decca label (Decca F11799) and produced by Michael Barclay.
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While many early publications of the Song attribute the words to Tomlinson, none name the creator of the music. The identity of the composer was a subject of controversy until the discovery, in the mid-twentieth century, of a passage in a then-unpublished manuscript of Recollections written by Richard John Samuel Stevens (1757–1837), a member ...