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American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. [ not verified in body ] The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that ...
The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s.
This is a list of folk song collections including pioneer and notable work in collecting folk songs. Many such collections were made in the 19th century. The earlier ones are often considered to be parts of the National Romanticist interests in folklore. The monumental efforts of single enthusiasts laid the foundation for the modern academic ...
In the later decades of the 19th century, the music industry became dominated by a group of publishers and song-writers in New York City that came to be known as Tin Pan Alley. Tin Pan Alley's representatives spread throughout the country, buying local hits for their publishers and pushing their publisher's latest songs.
Pages in category "19th-century songs" The following 94 pages are in this category, out of 94 total. ... Maggie May (folk song) March of Oriamendi; Mein Waldeck;
As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]
"The Rose of Tralee" – a 19th-century County Kerry song credited to C. (or E.) Mordaunt Spencer with music by Charles William Glover [9] "The Rose of Clare" ("Lovely Rose of Clare") – written by Chris Ball [70] "The Rose of Mooncoin" – a County Kilkenny song, written in the 19th century by a local schoolteacher and poet named Watt Murphy [9]
It is particularly associated with two movements, usually referred to as the first and second revivals, respectively in the late 19th to early 20th centuries and the mid-20th century. The first included increased interest in and study of traditional folk music, the second was a part of the birth of contemporary folk music.