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Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
English: The Byzantine imperial ensign (βασιλικόν φλάμουλον) under the Palaiologos dynasty, as exactly depicted in the Guillem Soler's portolan chart of c. 1380, the portolan chart of Gabriel de Vallseca of 1439 and 1447 and the Catalan Atlas of 1375.
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The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
Summary. Description Byzantine imperial flag, 14th century.svg. English: The Byzantine imperial ensign (βασιλικόν φλάμουλον), as depicted in the 14th-century Castilian Book of All Kingdoms, and described in the Treatise on Offices by the mid 14th-century Byzantine writer Pseudo-Kodinos as being hoisted on imperial naval vessels.
Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
Menologion of Basil II: Nativity of Christ, Constantinople, c. 1000 The Psalter of Basil II: Famous image of Basil II, Constantinople, 11th century The Menologion, Menologium, or Menology of Basil II is an illuminated manuscript designed as a church calendar or Eastern Orthodox Church service book that was compiled c. 1000 AD for the Byzantine Emperor Basil II (r.
In other words, this new method of mass dissemination made them go viral. Stephanie Porras, art historian and author of “The First Viral Images: Maerten de Vos, Antwerp Print, and the Early ...