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The images perceived, whether iconic or aniconic, may be the faces of religious notables or the manifestation of spiritual symbols in the natural, organic media or phenomena of the natural world. The occurrence or event of perception may be transient or fleeting or may be more enduring and monumental. The phenomenon appears to approach a ...
The New Testament does contain the rudiments of an argument which provides a basis for religious images or icons. Jesus was visible, and orthodox Christian doctrine maintains that Jesus is YHWH incarnate. In the Gospel of John, Jesus stated that because his disciples had seen him, they had seen God the Father (Gospel of John 14:7-9 [20]).
The Healing of the Paralytic – one of the oldest known depictions of Jesus, [ 18 ] from the Syrian city of Dura Europos, dating from about 235. Initially Jesus was represented indirectly by pictogram symbols such as the ichthys (fish), the peacock, or an anchor (the Labarum or Chi-Rho was a later development).
Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from the material. They used a computer program to reverse the aging process. After reducing his jaw ...
Head of Christ. The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by American artist Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [ 1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2]
The race and appearance of Jesus, widely accepted by researchers to be a Judean from Galilee, [ 1] has been a topic of discussion since the days of early Christianity. Various theories about the race of Jesus have been proposed and debated. [ 2][ 3] By the Middle Ages, a number of documents, generally of unknown or questionable origin, had been ...
Jesus Christ is seen as the "head" of the body, which is the church, while the "members" of the body are seen as members of the Church. In this way, Protestantism defines the "Body of Christ" in a much broader way than does the Catholic Church. This has allowed for a broad base within Christianity to call themselves part of the "Body of Christ."
The Taking of Christ. (Caravaggio) The Taking of Christ ( Italian: Presa di Cristo nell'orto or Cattura di Cristo) is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin .
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