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The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island. Among some peoples it was believed that women who lacked hajichi would risk suffering in the afterlife. [5]
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures.
Women continued receiving moko through the early 20th century, [12] and the historian Michael King in the early 1970s interviewed over 70 elderly women who would have been given the moko before the 1907 Tohunga Suppression Act. [13] [14] Women's tattoos on lips and chin are commonly called pūkauae or moko kauae. [15] [16]
Delmonas (or dalmonas, plural delmonai) – is a part of women's garb, originated in Lithuania Minor. It is essentially an elaborately decorated purse (outwear pocket), visibly attached to the waist by a waist-band, made out of dark colored velvet, silk, wool or cotton and elaborately embroided with colorful threads and glass beads.
Some women use tattoos as a fashionable sex-symbol, starting with small, discreet tattoos and piercings when they are young, to satisfy heterosexual men. Many of these same women eventually evolve their tattoos to larger pieces with more meaning, often to help drive a cause or make a statement about an important topic.
The Papua New Guinea National Emblem is a partially-stylized representation of the widespread Bird of Paradise Genus paradisaea in display, head turned to its left, seated on the upturned grip of a horizontal Kundu drum with the drum-head to the right side of the bird, from behind which a horizontal ceremonial spear projects with the head to the left of the bird.
DESCRIPTION OF THE NATIONAL EMBLEM (National Identity Act 1971) The Papua New Guinea National Emblem is a partiaIIy-stylized representation of the widespread Bird of Paradise Genus paradisaea in display, head turned to its left, seated on the upturned grip of a horizontal Kundu drum with the drum-head to the right side of the bird, from behind which a horizontal ceremonial spear projects with ...