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In 1875 Manuel and Juan Luna travelled to Europe, where Manuel studied music and Juan painting. Juan entered the Escuela de Bellas Artes de San Fernando, where he befriended the painter Don Alejo Vera. Luna was unhappy with the style of teaching in the school and decided that it would be much better to work with Vera. [4] Vera brought him to ...
The Parisian Life, also known as Interior d'un Cafi (also spelled Interior d’Un Café, [2] literally meaning "Inside a Café"), is an oil on canvas impressionist [3] painting made by Filipino painter and revolutionary activist Juan Luna in 1892. [4] The painting presently owned by the Government Service Insurance System is currently exhibited ...
The Spoliarium is a painting by Filipino painter Juan Luna.Luna, working on canvas, spent eight months completing the painting which depicts dying gladiators.The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid, where it garnered the first gold medal (out of three). [1]
The Battle of Lepanto (Spanish: La Batalla de Lepanto [1]) is a painting by Filipino painter [1] and revolutionary activist Juan Luna. Along with Félix Resurrección Hidalgo, Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture. [2] [3] [4] [5]
Paintings by Philippine artist Juan Luna (1857 — 1899) Pages in category "Paintings by Juan Luna" The following 19 pages are in this category, out of 19 total. ...
Mi Novia ("My Girlfriend") is a painting by Filipino painter Juan Luna. Created in the academic-style, it was in an exhibition hors concours or not for the purpose of competing for a prize. Instead it was a painting that was aimed to please the viewing public.
In 1886, Luna was awarded a Diploma of Honor at the Munich Art Exposition [4] (also known as the Munich Salon) for painting Las Damas Romanas. [ 2 ] [ 3 ] The masterpiece was a classic work painted in the highest conventions of the academic style, and it was a representative of the "abundant richness of life, with humankind", represented by ...
Luna's La Madrileña (En el Balcón) was described to be the artist's competitive reply to Hidalgo's La Parisienne, stating that Luna wanted to create a better portrait of a woman holding an umbrella but employing a "less attractive model" and "in a more animated style", making a contrast to Hidalgo's. Luna used broad brushstrokes and played ...