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[1] [note 1] Its first outing is at the close of Act I, when Othello places Desdemona under the ensign's care, saying "Honest Iago, / My Desdemona I leave to thee". [2] Its repetition, argues J. W. Abernethy, emphasizes the quality that Iago can be least said to possess, and as such "constitutes a strain of irony running throughout the play". [1]
English: James Earl Jones performs from Shakespeare's Othello at the White House Evening of Poetry, Music, and the Spoken Word on May 12, 2009. Note that the description at Whitehouse.gov claims here this performance is in the public domain.
E-kataloog ESTER With: Sonette; Othello French Le songe d'une nuit d'été: Jean-Louis Supervielle, Jules Supervielle: Paris: 1959 13439423 1231955560 Le songe d'une nuit d'été: Nicolas Briançon Paris: 2011 9782749812014 759590560 Much Ado About Nothing: Mauritian French Creole Enn Ta Senn Dan Vid: Dev Virahsawmy: Port Louis: 1995 ...
And the text is heavily cut: Othello's first words are his speech to the Senators from Act 1 Scene 3. [251] [252] The film was critically panned on its 1955 release (headlines included "Mr Welles Murders Shakespeare in the Dark" and "The Boor of Venice") but was acclaimed as a classic upon its re-release in a restored version in 1992. [253]
An 1804 print based on a Henry Fuseli painting of Act V, Scene II: Cressida and Diomedes flirt. Being composed around 1602, the play was most probably staged between 1602 and 1603, as the Stationers' Register entry for 1602/3 records a public performance by the Chamberlain's Men .
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
In English, the expression dates back to at least William Shakespeare's Othello (Act 1, Scene 1, ll. 126–127, c. 1601–1603): [1] I am one, sir, that comes to tell you your daughter and the Moor are now making the beast with two backs.
Act Scene Location Appr. # lines Synopsis I 1 A hall in Duke Solinus's Palace. 158 I 2 The mart. 105 II 1 The house of Antipholus of Ephesus. 116 II 2 A public place. 214 III 1 Before the house of Antipholus of Ephesus. 131 III 2 Before the house of Antipholus of Ephesus. 175 IV 1 A public place. 113 IV 2 A room in the house of Antipholus of ...