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For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In classical music, a "pure" contralto is considered the rarest type of female voice. [3] In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range. [4]
A contralto (Italian pronunciation: [konˈtralto]) is a type of classical female singing voice whose vocal range is the lowest female voice type. [1]The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F 3 in scientific pitch notation) to the second F above middle C (F 5), although, at ...
The mezzo-soprano is the middle female voice and the most common of the female singing voices, which tends to dominate in non-classical music, with vocal range that typically lies between the A below "middle C" (C 4) to the A two octaves above (i.e. A 3 –A 5).
Mezzo-soprano: the middle female voice, between A 3 (A below middle C) and A 5 (two octaves above A 3) Contralto: the lowest female voice, F 3 (F below middle C) to E 5 (two Es above middle C). Rare contraltos possess a range similar to the tenor; Tenor: the highest male voice, B 2 (2nd B below middle C) to A 4 (A above Middle C), and possibly ...
Lindsey Stirling (born September 21, 1986) is an American violinist, songwriter and dancer. [3] [4] [5] She presents choreographed violin performances, in live and music videos found on her official YouTube channel, which she created in 2007.
Todaro grew up in the opera world. Her mother is Brazilian mezzo-soprano Maria-Helena de Oliveira. Todaro sang as a mezzo-soprano herself. She is married to baritone Louis Otey.
Sarah Elizabeth Royle Walker CBE (born 11 March 1943) is an English mezzo-soprano.. Walker was born in Cheltenham, Gloucestershire.She studied at the Royal College of Music from 1961 to 1965, initially as a violinist and cellist, and went on to study singing with Vera Rózsa.
The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.