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About a month later, Decca rejected the Beatles. The executives' opinion was "guitar groups are on the way out" and "the Beatles have no future in show business". [ 1 ] Some music historians have suggested, however, that the Beatles' work that day did not yet reflect their potential, and the "guitar" comment may have been intended as a polite ...
Barrow then arranged to get the Beatles an audition with Decca, who rejected them. [9] That led to an informal arrangement whereby Barrow became the Beatles' part-time press-publicity consultant, which involved promoting the launch of the new EMI band from behind a desk at rival London record company Decca.
Lewis kept Decca ahead of the British competition by launching the long-playing record in Europe in June 1950, following the example of American Columbia, and encouraging the development of stereophony as early as 1954. [3] In the early 1960s, Decca rejected The Beatles at an audition, but did sign The Rolling Stones and other successful groups ...
1914 advertisement for Decca Dulcephone. The origins of the Decca Record Company were not in making records but in making the gramophones on which to play them. Shortly before the First World War the first Decca product was offered to the public: the "Decca Dulcephone" a portable gramophone, retailing at two guineas (£2.10 in decimal currency, and equivalent to about £250 in 2023 terms).
The Beatles failed their Decca audition at the location on 1 January 1962, [5] and subsequently signed with Parlophone instead. With the sale of Decca to Polygram, the studios were closed in 1981 and the building was renamed Lilian Baylis House. In recent years, it has been used as rehearsal space by English National Opera.
After the Decca audition recordings came to the attention of EMI managers through the efforts of the Beatles' manager Brian Epstein, a recording contract was executed between Epstein and EMI's Parlophone record label. EMI would record a minimum of six single "sides" and the agreement would start on 6 June 1962, expiring a year later, but renewable.
The Beatles' Decca rendition of "Like Dreamers Do" was received favourably by employees at EMI's publishing arm, Ardmore & Beechwood, in February 1962. Based on that tape, Ardmore & Beechwood became interested in publishing recordings of Lennon–McCartney songs and played a pivotal role in securing the Beatles a recording contract with EMI ...
The Beatles later found out that their manager Brian Epstein had paid Meehan to produce the recordings made that day in order for the Beatles to retain ownership of the tapes. Decca rejected the Beatles choosing the Tremeloes, who auditioned the same day as the Beatles. After talks with Epstein, Decca did arrange for Meehan to produce the ...
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