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2. Audio bit depth - Wikipedia

   en.wikipedia.org/wiki/Audio_bit_depth

   24-bit and 32-bit audio does not require dithering, as the noise level of the digital converter is always louder than the required level of any dither that might be applied. 24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even ...

3. WavPack - Wikipedia

   en.wikipedia.org/wiki/WavPack

   WavPack compression can compress (and losslessly restore) 8, 16, 24, and 32-bit fixed-point, and 32-bit floating-point PCM audio files in the .WAV file format. It can also handle DSD input in DSDIFF or DSF format. [2] It also supports surround sound streams and high sampling rates. Like other lossless compression schemes, the data reduction ...

4. Comparison of audio coding formats - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_audio_coding...

   16 bit 40 ms Yes No Yes: only in MPEG-4 Part 12 container: Yes: only in MPEG-4 Part 12 container: G.721: ADPCM, Lossy: 8 kHz 32 kbit/s 13 bit Yes No No No G.722: sub-band ADPCM, Lossy: 16 kHz 64 kbit/s (comprises 48, 56 or 64 kbit/s audio and 16, 8 or 0 kbit/s auxiliary data) 14 bit 4 ms Yes No No No G.722.1

5. Comparison of analog and digital recording - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_analog_and...

   The DVD-Audio format uses standard, linear PCM at variable sampling rates and bit depths, which at the very least match and usually greatly surpass those of standard CD audio (16 bits, 44.1 kHz). In the popular Hi-Fi press, it had been suggested that linear PCM "creates [a] stress reaction in people", and that DSD "is the only digital recording ...

6. Audio file format - Wikipedia

   en.wikipedia.org/wiki/Audio_file_format

   A raw file can contain audio in any format but is usually used with PCM audio data. It is rarely used except for technical tests. .rf64: One successor to the Wav format, overcoming the 4GiB size limitation. .sln: Signed Linear PCM format used by Asterisk. Prior to v.10 the standard formats were 16-bit Signed Linear PCM sampled at 8 kHz and at ...

7. WAV - Wikipedia

   en.wikipedia.org/wiki/WAV

   Though a WAV file can contain compressed audio, the most common WAV audio format is uncompressed audio in the linear pulse-code modulation (LPCM) format. LPCM is also the standard audio coding format for audio CDs , which store two-channel LPCM audio sampled at 44.1 kHz with 16 bits per sample .

8. RTP payload formats - Wikipedia

   en.wikipedia.org/wiki/RTP_payload_formats

   ITU-T G.711 PCM A-Law audio 64 kbit/s RFC 3551 9 G722 audio 1 8000 [note 2] any 20 ITU-T G.722 audio 64 kbit/s RFC 3551 - Page 14: 10 L16 audio 2 44100 any 20 Linear PCM 16-bit Stereo audio 1411.2 kbit/s, [2] [3] [4] uncompressed RFC 3551, Page 27: 11 L16 audio 1 44100 any 20 Linear PCM 16-bit audio 705.6 kbit/s, uncompressed RFC 3551, Page 27: ...

9. Digital Audio Stationary Head - Wikipedia

   en.wikipedia.org/wiki/Digital_Audio_Stationary_Head

   With the exception of the Sony PCM-3348HR and Studer D827, all of the DASH recorders have 16-bit resolution with a 44.1 kHz or 48 kHz sampling rate, although it is possible to use an outboard analog-to-digital converter of up to 20-bit resolution. The PCM-3348HR and D827 are capable of 24-bit 48 kHz operation at 45 ips, and are the only ...