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Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, [12] body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. [13]
English: Title: Wangari Maathai: and the green belt movement. Series: UNESCO series on women in African history Other lang. series issues: Série UNESCO femmes dans l'histoire de l'Afrique Imprint: Paris, UNESCO, 2014 Country: France Publ Year: 2014 Collation: 60 p., illus. Original Language: English Other Lang. versions: French ISBN ISSN: 978 ...
Event, Metaphor, Memory: Chauri Chaura 1922-1992 is a 1995 book by Shahid Amin. [1] A Professor of History at Delhi University , Amin was a Visiting Fellow at Stanford , Princeton , and Berlin . He also authored Sugarcane and Sugar in Gorakhpur (1984).
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
In fictive motion sentences, a motion verb applies to a subject that is not literally capable of movement in the physical world, as in the sentence, "The fence runs along the perimeter of the house." Fictive motion is so called because it is attributed to material states, objects, or abstract concepts, that cannot (sensibly) be said to move ...
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Art of movement rather than art of silence, dramatic corporeal mime is first of all the art of the actor/actress. An actor, whatever his artistic ambition might be, must, before all, be present, “be” on stage and this presence is shown through the body. The body is what sustains the costume, what the spectator sees, what carries the voice.