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Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. [ 1 ]
[7] In accordance, Slavoj Žižek has identified the mid-to-late 1980s as the period when Derrida's deconstruction shifted from a radical negative theology to a Kantian idealism. [8] In 1989, Bloom eschewed any identification with the Yale School 's technical, methodological approach to literary criticism. [ 9 ]
In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning.The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
Jacques Derrida (/ ˈ d ɛr ɪ d ə /; French: [ʒak dɛʁida]; born Jackie Élie Derrida; [6] 15 July 1930 – 9 October 2004) was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.
Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. [1]
Deconstruction chose sharp turns, unidirectional movements, and disjointed connections, because in place of music, the visual arts and film provided important frameworks for songwriting.
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. [1] Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. [1] The movement rejected decorative stylization in favour of the industrial assemblage of materials. [1]
The architect of this building was Frank O. Gehry. His architecture was based off of the art movement of the early 20th century, deconstructivism. Making the building itself a work of art along with the work in the museum. There were many exhibitions within this museum that demonstrated architecture through a multitude of different forms.