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For orchestration of piano music, some theorists recommend transposing the music to D minor or E minor. If D-sharp minor must absolutely be used, one should take care that B ♭ wind instruments be notated in F minor , rather than E-sharp minor (or G instruments used instead, giving a transposed key of G-sharp minor ), and B ♮ instruments in ...
A notable example of Auto-Tune-based pitch correction is the Cher effect, so named because producer Mark Taylor originated the effect in her 1998 hit song "Believe". [4] The effect has been used by composer John Boswell for his Symphony of Science and Symphony of Bang Goes The Theory (a BBC science show) mash-ups.
T-Pain, the R&B singer and rapper who reintroduced the use of Auto-Tune as a vocal effect in pop music with his album Rappa Ternt Sanga in 2005, said, "My dad always told me that anyone's voice is just another instrument added to the music. There was a time when people had seven-minute songs, and five minutes were just straight instrumental. ...
The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. (3:2) 2 / 2 , the mean of the major third (3:2) 4 / 4 , and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...
For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor ...
2 C minor: 3 flats 3 Either C# major: 7 sharps Bach and Alkan chose C# major, but most composers have preferred D♭ major or D♭ major: 5 flats 4 C# minor: 4 sharps 5 D major: 2 sharps 6 D minor: 1 flat 7 E♭ major: 3 flats 8 Either D# minor: 6 sharps Most composers of sets of 24 pieces have preferred E♭ minor over D# minor.
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D ♯ (D-sharp) or re dièse is the fourth semitone of the solfège.It lies a chromatic semitone above D and a diatonic semitone below E, thus being enharmonic to mi bémol or E ♭.