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Nina convinces Thomas to allow her to take back her role. Towards the end of the ballet's second act, Nina is distracted by a hallucination and loses her balance during a lift, causing a male dancer to drop her, infuriating Thomas. Nina returns to her dressing room and finds Lily preparing to play Odile.
Nina Sayers 2011 [10] Meryl Streep: The Iron Lady: Margaret Thatcher: 2012 [11] Emmanuelle Riva: Amour: Anne Laurent 2013 [12] Cate Blanchett: Blue Jasmine: Jeanette "Jasmine" Francis 2014 [13] Marion Cotillard: Two Days, One Night: Sandra Bya 2015 [14] Brie Larson: Room: Joy "Ma" Newsome 2016 [15] Isabelle Huppert: Elle: Michèle Leblanc 2017 ...
Nina Sayers Annette Bening: The Kids Are All Right: Dr. Nicole "Nic" Allgood Nicole Kidman: Rabbit Hole: Becca Corbett Kim Hye-ja: Mother: Mother Jennifer Lawrence: Winter's Bone: Ree Dolly 2011: Tilda Swinton: We Need to Talk About Kevin: Eva Khatchadourian Kirsten Dunst: Melancholia: Justine Elizabeth Olsen: Martha Marcy May Marlene: Martha ...
Sayers is a surname. Notable people with the surname include: Alan Sayers, New Zealand athlete; Ben Sayers, early professional golfer; Dorothy L. Sayers (1893–1957) English crime writer; Edna Sayers (1912–1986), Australian cyclist; Edward Sayers (aviator) (1897–1918), English World War I flying ace; Edward Sayers (doctor) (1902–1985 ...
Dorothy Sayers' co-author, under the pseudonym of Robert Eustace, was Dr Eustace Barton, a physician who also wrote medico-legal thrillers. Barton suggested to Sayers the scientific theme crucial to the novel's dénouement, which concerns the difference between a naturally produced organic compound and the corresponding synthetic material, and ...
[citation needed] Sayers, who felt that the inherent drama of the Gospel story had become muffled by familiarity and a general failure to think of its characters as real people, was determined to give the plays dramatic immediacy, featuring realistic, identifiable characters with human emotions, motivations, and speech-patterns.
Writing in 1990 Katherine Kenny described the book as the most successful of Sayers' early fiction, coupling a slick detective plot with vivid details of post-war English life. "The book is a tightly constructed little drama based upon the old joke about an Englishman's club so stuffy that its dead members cannot be differentiated from the ...
Sayers wrote numerous essays, poems and stories which appeared in several publications, including Time and Tide, The Times Literary Supplement, Atlantic Monthly, Punch, The Spectator and the Westminster Gazette; in the last of these she was the author of a poem under the pseudonym H.P. Rallentando.