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Thuluth script calligraphy of Ali decorating the Hagia Sophia Grand Mosque Map of Constantinople in Hunername-I, an example of Ottoman miniature Two tiles, circa 1560, fritware, painted in blue, turquoise, red, green, and black under a transparent glaze, Art Institute of Chicago (Chicago, USA) Ortaköy Mosque is a neo-baroque example of the Westernization of late Ottoman architecture
The Blue Mosque, officially the Sultan Ahmed Mosque (Turkish: Sultan Ahmet Camii), is an Ottoman-era historical imperial mosque located in Istanbul, Turkey.It was constructed between 1609 and 1617 during the rule of Ahmed I and remains a functioning mosque today.
The museum houses over 40,000 works of art that range from carpet art, wooden works, and stone art collections. [2] The museum is one of the largest museums in Turkey. [3] The Turkish and Islamic Arts Museum is culturally rich in various areas, including its location, as it sits across from the famous Blue Mosque in Istanbul [4]. The Turkish ...
The construction of the Blue Mosque, also known as Masjed-e Moẓaffariya, started during the rule of the Qarā Qoyunlu dynasty (1351–1469) and was completed in 1465 during the reign of the Āq Qoyunlu [2] The famous Blue Mosque is widely recognized as the last remaining example of Turkmen architectural and decorative styles in the city. The ...
Acrylic, oil stick and gold paint on mirror and wood 43 1/4 x 22 3/8 in $2.9 million (2020) [6] Private collection 1981 Untitled: Acrylic, oilstick, pencil, spray paint, paper collage on wood 48 x 30 in $4 million (2013) [7] Private collection 1981 Untitled: Acrylic, oilstick and spray paint on canvas 78 1/2 x 72 in $14.6 million (2007) [8]
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From the 18th century, Ottoman art came under considerable European influence, the Turks adopting versions of Rococo which had a lasting and not very beneficial effect, leading to over-fussy decoration. [82] European-style painting was slow to be adopted, with Osman Hamdi Bey (1842-1910) for long a somewhat solitary figure. He was a member of ...
David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation." [ 10 ] Wade argues that the aim is to transfigure, turning mosques "into lightness and pattern", while "the decorated pages of a Qur’an can become windows onto the infinite."
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