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Tuttomondo (1989) The Boxers (1987) Todos Juntos Podemos Parar el SIDA (1989) Tower (1987). Works are in the order that the Keith Haring Foundation's website has them in. [4] Many of Haring's works are untitled, part of a series, or have similar titles; the number given to artworks on the Keith Haring Foundation's website have been added in order to differentiate between artworks.
Haring agreed under the condition that he chose the location. [5] With permission from the Town Hall, Haring selected a square in the Raval, then a drug infested area known as the Barrio Chino (Chinatown). [6] AIDS was a delicate issue and most celebrities generally didn't talk about the epidemic. [7]
Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. [1] His animated imagery has "become a widely recognized visual language". [2]
The Valley is a suite of etchings by Keith Haring, illustrating the eponymous final chapter from The Western Lands by William S. Burroughs, drawn in 1989 and published in 1990. [1]
The sculpture shows simplified humanoid figures, one red and one blue, with holes in the head and stomach. The arms are set up to be through the holes, giving the impression that the holes were punched out by the other figure.
On "Pawn Stars," a man brought in two Keith Haring art pieces which ended up being worth a small fortune. APPRAISER: "I could see them in a gallery in New York in the $40-000-$50,000 range.
The wide-open generosity of spirit in Keith Haring's vivacious work is seen in the Broad's deft show, which culls together about 120 works that he created between 1982 and 1989.
Keith Haring’s 1989 piece “Unfinished Painting” became the center of an ethics debate about art and artificial intelligence after an X user used AI to “complete” the work.