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60second Recap is an educational video project launched in September 2009 to provide 60-second video summaries and analysis of classic literature.The site provides one-minute video commentaries on plot, themes, characters, symbols, motifs, and other aspects of books commonly studied in secondary schools in North America.
The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (/ ˈ h æ m l ɪ t /), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play.
The story of the prince who plots revenge on his uncle (the current king) for killing his father (the former king) is an old one. Many of the story elements—the prince feigning madness and his testing by a young woman, the prince talking to his mother and her hasty marriage to the usurper, the prince killing a hidden spy and substituting the execution of two retainers for his own—are found ...
From the growing madness of Prince Hamlet, to the violent ending to the constant reminders of death, to, even, more subtly, the notions of humankind and its structures and the viewpoints on women, Hamlet evokes many things that would recur in what is widely regarded as the first piece of Gothic literature, Horace Walpole's The Castle of Otranto ...
Hamlet is one of the most-quoted works in the English language, and often included on lists of the world's greatest literature. [4] As such, it has proved a pervasive influence in literature. For instance, Henry Fielding's Tom Jones, published about 1749, merely describes a visit to Hamlet by Tom Jones and Mr Partridge. [5]
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The Hamlet of the supposed earlier play also uses his perceived madness as a guise to escape suspicion. Eliot believes that in Shakespeare's version, however, Hamlet is driven by a motive greater than revenge, his delay in exacting revenge is left unexplained, and that Hamlet's madness is meant to arouse the king's suspicion rather than avoid it.