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The format and treatment of recaps may also vary depending on the commissioning broadcaster. [14] For example, while most HBO series have recaps before each episode when aired on linear television , the recaps are usually treated as distinct from the episode proper, airing prior to the content rating card and HBO "static angel" production logo.
Rhythm changes bridge (B section of an AABA form) in the key of C. Play ⓘ. In music, a section is a complete, but not independent, musical idea. [1] Types of sections include the introduction or intro, exposition, development, recapitulation, verse, chorus or refrain, conclusion, coda or outro, fadeout, bridge or interlude.
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Recapitulation (Castaneda), a spiritual practice appearing first in the writings of Carlos Castaneda and later in those of Miguel Ángel Ruiz, Victor Sanchez and others; Recapitulation (Dentistry-Endodontics), Recapitulation is the sequential reentry and reuse of each previous instrument. Throughout the debriding or filing process, the root ...
The simplest kind of sonata rondo form is a sonata form that repeats the opening material in the tonic at the end of the exposition and recapitulation sections. [A B' A] exp [C"] dev [A B A] recap By adding in these extra appearances of A, the form reads off as AB'AC"ABA , hence the alternation of A with "other" material that characterizes the ...
In music, a reprise (/ r ə ˈ p r iː z / rə-PREEZ, [1] French: ⓘ; from the verb reprendre 'to resume') is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs.
One of the ways that Beethoven extended and intensified Classical practice was to expand the coda sections, producing a final section sometimes of equal musical weight to the foregoing exposition, development, and recapitulation sections and completing the musical argument. For one famous example, see the finale of Symphony No. 8 (Beethoven).
Occasionally the development is omitted and replaced with a simple transition, leaving the exposition and recapitulation: this is sometimes referred to as sonatina form, or a Type I sonata in sonata theory. One example of the piece in sonata form without development is the second movement of Beethoven's Piano Sonata No. 17, "The Tempest".