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"Sleigh Ride" is a light orchestra standard composed by Leroy Anderson. He formed the idea for the piece during a heat wave in July 1946, and finished it in February 1948. Its first performance was by the Boston Pops Orchestra, with Arthur Fiedler conducting, on May 4, 1948. [1] Anderson also made arrangements for wind band and piano. [2] [3]
Lawrence Brown, Booty Wood, Britt Woodman - trombone; Juan Tizol - valve trombone; Jimmy Hamilton - clarinet, tenor saxophone; Johnny Hodges - alto saxophone; Russell Procope - alto saxophone, clarinet; Paul Gonsalves - tenor saxophone; Harry Carney - baritone saxophone, clarinet, bass clarinet; Aaron Bell - bass; Sam Woodyard - drums
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The dances are scored for piccolo, two flutes, two oboes, two bassoons, two horns, two trumpets, timpani, violins I and II, violoncellos, and double basses.The middle section and coda, titled Die Schlittenfahrt (The sleigh ride), of the third dance adds two posthorns and five sleigh bells tuned to C, E, F, G, and A (in ascending order).
Tschaikowsky's Nutcracker Suite In Dance Tempo is a studio album of phonograph records released by bandleader Freddy Martin, featuring Ray Austin arrangements of Romantic-era Classical composer Pyotr Ilyich Tchaikovsky's suite from the 1892 ballet The Nutcracker.
Pastorale: for Trumpet, Trombone and Piano, (1996) Original version was the middle movement of Ballade, Pastorale and Dance for flute, horn, and piano A Philharmonic Fanfare: for Trumpet, Horn, and Trombone , (1997)
1912: Life's Dance (revised from 1899 symphonic poem La ronde se déroule) 1913–14: North Country Sketches; 1914: Sonata for violin and piano No. 1 (begun 1905) 1914–16: Requiem (text by Heinrich Simon) 1915: Double Concerto for violin, cello and orchestra; 1916: Concerto for violin and orchestra; 1916: Dance Rhapsody No. 2; 1916: String ...
Augusta Read Thomas (born April 24, 1964) is an American composer and University Professor of Composition in the Department of Music at the University of Chicago, where she is also director of the Chicago Center for Contemporary Composition.
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