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Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
His studio produced high-end Satsuma ware, primarily for the export market. That term was originally coined for artistic painted porcelain from the Satsuma Province. Eventually it expanded to include low-quality porcelain that was mass-produced for export, whereas Meizan was one of the artists who continued the tradition of high artistic ...
Satsuma ware was a name originally given to pottery from Satsuma province, elaborately decorated with overglaze enamels and gilding. These wares were highly praised in the West. Seen in the West as distinctively Japanese, this style actually owed a lot to imported pigments and Western influences, and had been created with export in mind. [22]
This exposition was where the Emperor touched a Kōzan vase; a moment which made the artist famous. [14] At the Paris Exposition Universelle of 1889, he won a gold medal for his yohen (transmutation) glazes. [15] The 1893 World's Columbian Exposition in Chicago won an Honorary Gold Medal for the workshop for a pair of elaborate stoneware vases ...
The Shimazu clan (Japanese: 島津氏, Hepburn: Shimazu-shi) were the daimyō of the Satsuma han, which spread over Satsuma, Ōsumi and Hyūga provinces in Japan.. The Shimazu were identified as one of the tozama or outsider daimyō families [1] in contrast with the fudai or insider clans which were hereditary vassals or allies of the Tokugawa clan.
The 9th Imaizumi Imaemon died in 1873, two years after the abolition of the kiln, and the 10th Imaemon (1847-1927) took over as head of the family at the age of 26. In traditional Nabeshima ware, the underglaze and final firing processes were carried out in Ōkawachi, while the overglaze process was carried out in Akaemachi.
Multiple media reports, including from the Wall Street Journal and The New York Times, have included interviews with current and former White House staffers who expressed serious doubts over the ...
Awata ware zhun type dish, clay partly covered with drawing under a transparent, finely-crackled glaze; top covered with a thick second glaze, Edo period (19th century) ...