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Wedgwood jasperware can often be dated by the style of potter's marks, although there are exceptions to the rules: Before 1860: Mark is "Wedgwood". Usually accompanied by other potter markings and a single letter. From 1860 to 1929: A three-letter mark represents in order, the month, the potter, and the year. The year code starts mid-alphabet ...
Northwood mark on a vase. The most common Northwood maker mark was an underlined capital N centered inside of a circle. [13] [14] Not all pieces carry the mark but it is seen most often on carnival glass items. L.G. Wright also used a mark like it, but was forced to stop using it. [13]
Red-mark period tea cup and saucer Puce-mark period cup and saucer. Rockingham porcelain was produced in two distinct periods: 1826–1830, the so-called red-mark period, [7] and 1831–1842, the puce-mark period. [8] As their names suggest, these periods are defined by the backstamps found on porcelain.
Glazed earthenware vase, Rookwood Pottery, ca. 1900. American art pottery (sometimes capitalized) refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques.
Vase, 1902-06 The Aluminia factory mark before 1969 After 1969: The Royal Copenhagen Fajance mark. Aluminia was a Danish factory of faience or earthenware pottery, established in Copenhagen in 1863. Philip Schou (1838-1922) was the founding owner of the Aluminia factory in Christianshavn.
Leeds Pottery tulip vase, circa 1780, pearlware painted in underglaze blue, and green overglaze enamel Leeds Pottery, also known as Hartley Greens & Co., is a pottery manufacturer founded around 1756 in Hunslet, just south of Leeds, England.
Imperial Presentation Vase, Tongzhi Mark and Period, Nantoyōsō Collection, Japan. Tongzhi porcelain is Chinese porcelain from the reign of the Qing dynasty Tongzhi Emperor (1862–1874), which saw the reconstruction of the Jingdezhen official kilns after the Taiping Rebellion of the 1850s completely devastated the cities of Nanjing and Jingdezhen.
The strength of Mason's ironstone body enabled the company to produce ornamental objects of considerable size [8] [9] including vestibule vases 1.5 metres high [10] and mantelpieces assembled from several large sections. [11] Antique ironstone wares are collectable, and in particular items made by Mason's. [12]
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