Search results
Results from the WOW.Com Content Network
Yaeko would later be one of the first civil leaders for women's rights in Japan. [35] Women fighting the Imperial army during the Subjugation of Kagoshima in Sasshu (Satsuma), by Yoshitoshi, 1877. The end of the Edo period was a time of great political turmoil that continued into the Meiji period (1868–1912).
Ukiyo-e art flourished in Japan during the Edo period from the 17th to 19th centuries, and took as its primary subjects courtesans, kabuki actors, and others associated with the "floating world" lifestyle of the pleasure districts. Alongside paintings, mass-produced woodblock prints were a major form of the genre. [1]
Kitagawa Utamaro (Japanese: 喜多川 歌麿; c. 1753 – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his bijin ōkubi-e "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated ...
A young woman tries to fight off a hairy older man who is raping her; she bites his arm. Such violence is rare in Edo-period shunga, and the perpetrators are usually depicted as ugly. [27] This is the only print in the book that includes dialogue. In the inscription in the lower right the woman says: [27] 此利兵衛じじいめ、よしやァ ...
Cherry Blossom Time in Nakanochō of the Yoshiwara by Utagawa Hiroshige depicting the main street lined up by the pleasure houses, circa 1848-1849 Yoshiwara Night Scene, ukiyo-e painting by Katsushika Ōi Women of the Yoshiwara, photograph during the Meiji period. Yoshiwara (吉原) was a famous yūkaku (red-light district) in Edo, present-day ...
Translated literally, the Japanese word shunga means picture of spring; "spring" is a common euphemism for sex. [1] Shunga, as a subset of ukiyo-e, was enjoyed by all social groups in the Edo period, despite being out of favor with the shogunate. The ukiyo-e movement sought to idealize contemporary urban living and appeal to the new chōnin ...
In fact, in ukiyo-e bijin-ga, it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e bijin-ga is stylized rather than an attempt to create a realistic image; [4] For example, throughout the Edo period (1603–1867), married women had a custom of shaving their eyebrows ...
Ukiyo-e art flourished in Japan during the Edo period from the 17th to 19th centuries, and took as its primary subjects courtesans, kabuki actors, and others associated with the "floating world" lifestyle of the pleasure districts. Alongside paintings, mass-produced woodblock prints were a major form of the genre. [1]