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The subject mimics the model, and both desire the object. Subject and model thus form a rivalry which eventually leads to the scapegoat mechanism. The scapegoat mechanism has one requirement for it to be effective in restoring the peace; all participants in the removal of the scapegoat must genuinely believe that he is guilty.
René Girard’s Mimetic Theory and its Contribution to the Study of Religion and Violence, Special issue of the Journal of Religion and Violence, (Volume 1, Issue 2, 2013). Girard, René, and Sandor Goodhart. For René Girard: Essays in Friendship and in Truth. East Lansing: Michigan State University Press, 2009. Golsan, Richard J. (1993).
This reversal of the scapegoat mechanism by Jesus is central to Girard's entire reading of Christianity, and this reversal is on display in this story as well. Contrasting the self-destruction of the herd of pigs with the typical motif of an individual evil-doer being pushed over a cliff by an undifferentiated mob (cf. Luke 4:29), Girard comments:
The Scapegoat, translated work by Arvid Paulson from August Strindberg's Syndabocken "The Scapegoat", a study of collective violence by René Girard; The Scapegoat (Du Maurier novel), a 1957 novel by Daphne du Maurier; Scapegoat, an investigation into the trial of Richard Hauptmann
Created Date: 8/30/2012 4:52:52 PM
The Scapegoat is a 1957 novel by Daphne du Maurier. In a bar in France, a lonely English academic on holiday meets his double, a French aristocrat who gets him drunk, swaps identities and disappears, leaving the Englishman to sort out the Frenchman's extensive financial and family problems.
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Girard's work focused on the sources of human violence in mimetic (unconsciously imitative) desire and the centrality of religion in the formation of culture through the management of violence (the single-victim mechanism or scapegoat effect), but the scope of the Colloquium on Violence & Religion's interest has expanded beyond violence to ...