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From roughly the Meiji period (1868–1912) until the Pacific War, the satsuma-biwa and chikuzen-biwa were popular across Japan, and, at the beginning of the Shōwa period (1925–1989), the nishiki-biwa was created and gained popularity. Of the remaining post-war biwa traditions, only higo-biwa remains a style almost solely performed by blind ...
Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly ...
The biwa (琵琶 - Chinese: pipa), a form of short-necked lute, was played by a group of itinerant performers (biwa hōshi). The root of Biwa music was The Tale of the Heike. [7] Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed]
The biwa, particularly the satsuma biwa is another Japanese instrument which is known for its sawari. The make of the instrument is such that the strings are stopped by pulling them between frets that are raised centimeters from the neck of the instrument, allowing the player to create the desired sawari effect at each fret.
Biwa hōshi were mostly blind, and adopted the shaved heads and robes common to Buddhist monks. The occupation likely had its origin in China and India, where blind Buddhist lay-priest performers were once common. The musical style of the biwa hōshi is referred to as heikyoku (平曲), which literally means "heike music".
Professional players can produce virtually any pitch they wish from the instrument, and play a wide repertoire of original Zen music, ensemble music with koto, biwa, and shamisen, folk music, jazz, and other modern pieces. Much of the shakuhachi 's subtlety (and player's skill) lies in its rich tone colouring, and the ability for its variation.
琵琶 is an East Asian string instrument. 琵琶 may refer to: Bipa, a Korean pear-shaped lute; Biwa, a Japanese short-necked fretted lute; Pipa, a Chinese plucked string instrument; Tỳ bà or đàn tỳ bà (檀琵琶), a Vietnamese traditional plucked string instrument
Other film soundtracks in which Takemitsu used traditional instruments include Shinoda's Assassination and Masaki Kobayashi's Kwaidan (both 1964). Takemitsu's first concert composition for traditional Japanese musical instruments was Eclipse (1966) for the biwa performer, Kinshi Tsuruta, and the shakuhachi player, Katsuya Yokoyama. [3]